| EMILIO AMBASZ |
E.
Ambasz, Fax to Barbara Radice (1990)
in "Radicals" pgs. 247-48 and in
"Terrazzo" n. 5, 1990)
My
patient Barbara:
Back to our subject. Of all the people of the Architettura Radicale period who I
think have been unjustly treated and not well enough appreciated, Gianni Pettena
stands out as the most interesting figure. There he was making architecture in
the form of gestures. He would refer to magnificent architectural domains of the
mind by means of negative spaces that he created. For him, also, the
architectural image could not be made without sinning. Different from the others
his means were not words but drapes which the wind would move, blocks of ice
which the sun would melt, or totally incongruous photos. One of his creations, I
recall vividly, was the photo of a large billboard in Minneapolis depicting a
policeman looking like a child-molester who, in reality, was desperately trying
to revive a boy by mouth-to-mouth resuscitation under a big legend, "And they
call him pigs". I also recall his drawings, suggestive of intermissions,
dislocations and breakage points where lond established ceremonies were to be
slightly offset from their normal bearings so that one could see that they
contained in themselves an ironic key to remake themselves anew. I haven't
seen him for a long time and I would like to see him again. Tell me, has he also
become an academic boss?
As for UFO and Zziggurat I remember that one of them I gave an award (Zziggurat?
e.n.) in another life when I was assumed to be a powerful curator. As for the
other group (UFO? e.n.) I read everything he wrote. Why was it that whenever I
saw Lapo's photograph heading one of his articles the image of Vogue Design
for Men came to my mind. He was Firenze's sarcast. Under his sharp tongue
everybody's garments tore to shreds, and everybody's curtain fell to the
ground. How many times did I wonder whether the strength of Lapo's remarks
came from sublimating architectural images? Was that the price he paid to uphold
his view of the Moral City? Do you also smell as if something is burning? Is it
me, or a passing whiff of Savonarola's ashes?
Respectfully
yours,
Emilio